LOW GAIN OD / HIGH GAIN OD / BOOST

  • Steve Lukather Approved
  • Official Steve Lukather overdrive pedal
  • Sound design by Steve Lukather and Uli Rodenberg
  • Tested, played, and personally approved by Steve Lukather
  • Official branding on the pedal
  • SL-OD Classic - The Original 
    The SL-OD combines three fully independent effects in a single enclosure, delivering uncompromising audio quality, real-world stage performance, and true signature tone. Developed in close collaboration with Steve Lukather, the SL-OD is built for musicians who demand maximum control, tone, and flexibility at the highest level.

FEATURES

  • The SL-OD combines three fully independent sounds in one pedal: LOW GAIN Overdrive, HIGH GAIN Overdrive, and BOOST.
  • The LOCKED switch links the two overdrive sounds in a locked mode, allowing you to switch seamlessly between them with a single footswitch press.
  • Each channel delivers its own distinct tonal character, switchable presets, and precise control: Level, Tone, and Drive for LOW GAIN OD and HIGH GAIN OD, Level and Tone for the BOOST channel.
  • BASS BOOST preset switch available separately for both LOW GAIN and HIGH GAIN overdrive modes.
  • BASS BOOST and +20 dB preset switch in the BOOST mode.
  • The pedal features a specially designed mechanical true bypass circuit combined with optimized noise suppression, resulting in near-silent switching, ideal for professional stage use.
  • Handcrafted in Germany, the SL-OD delivers maximum dynamics, tonal accuracy, and flexibility for musicians who demand uncompromising performance.

CLEAN / DRIVE

In front of a clean amp

When you run the pedal into a clean or slightly breaking-up amp, you get an open overdrive sound that can reach into high-gain territory without drifting into extreme distortion. The tone remains clear, structured, and highly articulate, with excellent note definition and cut. If you want even more gain from a clean amp, you can simply stack pedals by running them in series. This gives you a substantial increase in overall gain. Important: The level controls of the individual pedals should be carefully balanced to keep the sound open, dynamic, and fully controllable.

Some users claim that the pedal only works well in front of a distorted amp, but this is not a limitation of the pedal itself. It comes down to how it is used, how it is set up, and the amp configuration.

In front of a driven or distorted amp

In front of an already driven amp, the pedal reveals its second major strength, exactly the way Steve Lukather uses it. The sound becomes faster, more focused, and more lead-oriented, adding gain without drastically altering the existing amp tone. The pedal integrates organically into the already working amp, enhancing what is there rather than replacing it.

Steve Lukather:
,I hear you EVERY night, it’s my fave Overdrive / Distortion pedal! I use them (SL-OD, SL-OD Deluxe / SL-OD DLX) in various situations, in the studio, live etc.‘

Steve Lukather has been using my pedals continuously since 2017, both live and in the studio. For him, it is his main overdrive: reliable, full of character, and a permanent part of his sound.

SOUNDS
LOW GAIN Overdrive
  • Jewel LED Blue
  • BASS Boost (Preset Toggle switch)
  • Controls: Level, Tone, Drive
HIGH GAIN Overdrive
  • Jewel LED Red
  • BASS Boost (Preset Toggle switch)
  • Controls: Level, Tone, Drive
BOOST
  • Jewel LED Green
  • BASS Boost (Preset Toggle switch)
  • +20 dB Level Boost (Preset Toggle switch)
  • Dynamic, musical level boost
  • Almost exciter-like response
  • Controls: Level, Tone
SPECS
LOCKED Mode
  • Locks LOW GAIN Overdrive and HIGH GAIN Overdrive together
  • Seamless switching between LOW GAIN and HIGH GAIN with a single footstep. Ideal for fixed routing or live performance setups
Silent True Bypass
  • Mechanical True Bypass footswitch
  • Newly developed switching concept
  • Almost no switching noise, no audible pops
Power Supply
  • 9-18V DC, 60–100 mA
  • Standard operating voltage: 9 V DC
  • Maximum operating voltage: 18 V DC
  • No battery operation
Dimensions
  • Black powder-coated aluminum enclosure
  • Dimensions: 5,7 x 4.7 x 1.5 inch (W × D × H)
  • Weight: 1.1 lbs
Made in Germany
  • 3-year warranty
  • Handcrafted in small production runs

VIDEOS

SL-OD demo by Michael Nielsen
SL-OD demo by ChoptonesOfficial
SL-OD demo by Elmo Karjalainen
SL-OD demo by Fabian Ratsak
SL-OD demo by Danish Pete from Andertons
SL-OD demo by orderman 5253

FAQ

Noise / Side Noise:
Level controls: Three completely independent pedals in one enclosure!
Each sound of the SL-OD operates fully independently. To keep the interaction perfectly balanced, the level controls should be carefully adjusted. Running all three channels at maximum settings produces extremely high output levels and may cause the pedal to become difficult to control. With finely balanced level settings for each channel, the sound remains precise, dynamic, and fully controlled.

Power Supply: 9V DC – 18V DC:
The pedal can be operated with 9–18V DC. Regardless of the supplied voltage, the internal circuitry remains fully stabilized, ensuring that the fundamental tone does not change. The standard operating voltage is 9V DC, this is also how Steve Lukather runs the pedal.
Higher voltage operation is possible, but not required.

Power Supply Notice:
For noise-free operation, we recommend using a stabilized, well-shielded power supply. Some digital power supplies, especially those with insufficient shielding, may cause hum or high-pitched noise.

When using a multi-output power supply, the outputs should be galvanically isolated from each other.

Any noise issues do not originate from the pedal itself, but are usually caused by an unsuitable power supply or an unfavorable device combination. It is possible that a power supply works perfectly with one pedal but produces noise with another.

If noise occurs, we recommend the following test:
Connect the pedal directly to the amplifier, do not connect a guitar, and power the pedal using a separate power supply. When switching the pedal on, only operation or gain-related switching and control noises should be audible, no hum and no high-pitched noise. This test is an effective way to check the pedal independently of the rest of the signal chain.